Digitech Rp500 Patch Library
Get started with these famous tones by connecting your GSP or RP unit to your Mac or PC. Visit our software page if you don't have the sound librarian installed yet. Apr 2, 2018 - Digitech Rp500 Patch Library. Guitar effect patches for the Digitech RP50 and RP80. 24-bit AudioDNA helps the DigiTech RP50 and RP80. Buy DigiTech RP500 Integrated-Effects Switching System: Floor Multieffects - Amazon.com. 40 Tone and 40 Effects Libraries 200 presets (100 factory, 100 user Over 125 effects including. Control your tones in Preset or Pedalboard mode.
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Digitech Rp500 Patch Library
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From See our. Hi all, first post here. The goods: All effects created by me, with the RP360 and Nexus editing software. Expression pedal and stomp mode programming is included, so these should all work on the RP360XP as well. Effects include LFO-modulated pitch shifting, arpeggiated harmonizer, mutating delay patterns, flange and vibe effects with extra animation, bubbling noise wah, reverb with shifting predelay, various exp-controllable modulations and delays, and some really nice amp and pedal combos.
Each preset has a little description of what is going on with it. The assignable LFO control allows for one auto-twisting knob per preset at a specified speed, so many of these effects were designed around that feature, and show off how crazy the RP360s are capable of getting because of it.
Next up will be the Boss GT-001, which has tons more LFO and automation control. The LFO Link tab, right there with the wah and expression tabs in the Nexus editor.
Just pick the effect you want to link it to out of the dropdown menu, then select the parameter you want to automate, and set the values. You may have to restart the effect to kick in the new LFO settings.
Digitech Rp500 Manual Pdf
If you're not a synth nerd, it might take some time messing around with it to understand exactly how the waveforms work, but once you get the hang of it it's pretty easy to make it do whatever you want it to. I get that about LFO's. I would only want it to fluctuate between 1 and 5, 1 and 12, or 1/5/12 to be honest. I wish there was something like a step filter but for pitch. I own a pitch fork, and while you can jump up and down it's not that graceful and could probably give you a cramp. That boss looks cool, but pricey.
I like doing things on the low low. So I guess I'll stick with tapping my pitch fork.
Thanks for all the info. Edit: Oh, basically something. I think this would probably be more fun than the Arpanoid, which I didn't enjoy.
I just want this, cheaper. I'd be willing to pay some good money though if there was something like that that would ramp up in speed with a hard pick attack, then settle back into a regular pattern. The Vortex is cool but I don't think is up your alley nearly as much as the PCM80 and 81 are! At least if you really want to take LFOs, ASDRs, envelopes, custom modulation curves (8-point pivot system), etc.
To the next level;) One LFO-or one ASDR, or one envelope, etc.-can be patched to up to 10 different destinations on the PCM80, and you can 'squeeze' even more in there by patching it to 'Master' parameters (MasterDelayTime, MasterRate, MasterDepth, MasterFeedback, etc.-all of which can control those individual properties for up to 6 delays). You have 10 'slots' and you can use them any way you want-patch one modifier to 10 destinations, patch 10 modifiers each to a destination, patch one modifier to another modifier to yet another modifier (not kidding at all!).and the 'curve' that these modifiers use when patched to their destination can be 'warped' any way you want, so you can flip ranges upside down, have the response 'accelerate' (even an expression pedal can be a modifier, and you can give it a non-linear response).
It's a sick beast! Some of the algorithms on the Vortex can be re-created on the PCMs too (and some can even be done on the MPX-1/G2). The gliding delays help a lot here, as you can 'morph' between completely different settings seamlessly that way on a majority of the algorithms onboard. I still want to get a Vortex too though-for the prices they go for right now, it's a no-brainer! I haven't heard it yet and I don't have an RP360XP, but I'm glad to see somebody really take advantage of this feature, and really try to make a good preset library out of it! Digitech snuck this feature back into their lineup with the RP500 or 1000 (I think), and it never really got talked about at all.
It should be though, cause it's huge! Tell me, can you smoothly modulate delay times with that? That would be so cool!
I'm not expecting that to be the case (it would require extra 'horsepower' for delay interpolation), but it would still be so cool if it did, and open up a lot of doors. I really hope LFOs, ASDRs, envelopes and other modifiers become standard features in pedals someday-I've been using them for the last year just about every day with my PCM80, and it's hard to imagine going back to life without them. Even if there are certain pedals that can replicate some of the features you can do with these modifiers, you'd have to spend a fortune to get everything you'd need to cover all the possibilities that a PCM80 or an Eclipse could do. I'm really interested to see if Eventide will update the H9s to have this functionality-seems like a perfect place to 'test the waters.'
;) If Digitech could do it, Eventide needs to be doing it too! I'm downloading the Nexus software right now-hopefully it will let me see what's going on in these presets without having to plug in the unit itself (unlike another stubborn Harman processor, the Lexicon MX200-whose presets I still have, but cannot view, even in the software, since I don't have the processor to hook it up to anymore!). The DM Delay model is the only one you can modulate the actual delay time on, and it's only 310ms. It is a very smooth sound that can sound like pitch shifting depending on how deep you sweep it. For the others it's done by modulating the tap division. The Boss GT-001 picks up where the RPs leave off, and takes everything to the highest level possible. Everything you can't do with the Digitechs is possible with the Boss, which is like an AxeFX in a pitchfactor sized box.
Stereo amps, multiple LFOs, multiple instances of whatever effect you want in any order, and all the cool new Boss effects like adaptive distortion, tera echo and multi overtone. The Eventide Modfactor had two dedicated LFO control knobs for the depth and rate. This is just a more practical incarnation of that capability that puts it to far better use. The Eclipse and Fireworx both have all the good modifier stuff too, but no software to make it so easy and accessible.
With the Boss software you can actually see your LFOs in action, and see the knobs turning, which is great. The DM Delay model is the only one you can modulate the actual delay time on, and it's only 310ms. It is a very smooth sound that can sound like pitch shifting depending on how deep you sweep it. I'm kind of amazed that that actually works on there-for some reason, it seemed like they wouldn't 'allow' that since it does take extra memory to accomplish that. Very cool that you can though! The Boss GT-001 picks up where the RPs leave off, and takes everything to the highest level possible.
Everything you can't do with the Digitechs is possible with the Boss, which is like an AxeFX in a pitchfactor sized box. Stereo amps, multiple LFOs, multiple instances of whatever effect you want in any order, and all the cool new Boss effects like adaptive distortion, tera echo and multi overtone.
I really liked the sound of the GT-001 the first time I heard it-now I have some more reasons to think about getting one! I've been using a Yamaha THR-10 for a while now, and while I LOVE the amp models on there, the FX are kind of hit-and-miss.
The GT-001's effects section would definitely be a big improvement, and I love trying different combinations of amps and cabs on different channels (I recommended a Pod HD500X to my friend-he bought it, and I was even more impressed than I thought I'd be when I heard it doing this, even on his desktop computer speakers). The Eventide Modfactor had two dedicated LFO control knobs for the depth and rate. Not only that, but modulation of the modulation!;) The Eclipse and Fireworx both have all the good modifier stuff too, but no software to make it so easy and accessible.
Unfortunate fact (but something I've learned to live with): until you get to the truly monster Eventides (the 2U stuff-DSP7000, Orville, H8000, etc.) with their VSig software, most of the best processors don't have editing software. This might change for the Eclipse at some point (one company in England has been working on some remote-control software for it, and could conceivably expand this into an editor), but for the rest, there's really not much out there.
The Axe-FX might be the lone exception to the rule. The Fireworx is a pretty great processor, in my book-way better than the G-Force! With the Boss software you can actually see your LFOs in action, and see the knobs turning, which is great.
That would be a very welcome feature! Next best thing to Eventide's monitoring functions in the big 2U models (and no, I haven't tried these yet, unfortunately-I just know they're out there.just like 1000+ other wondrous things in those boxes that nothing else has).
I don't know if you're familiar with Italo de Angelis' work-if you're not, check out his Eventide Eclipse page:. The 'Crimson Skies' preset is truly mindblowing! This ties in auto-pitch shifting with an LFO to different intervals (4ths & 5ths, producing other intervals along the way too, since it's one shifting delay line feeding back into itself, so b7s, 9ths, and octaves pop up too) via a square wave, and the whole thing is fed into a Plex reverb. Really inspiring preset, and gave me a lot of ideas for programming my PCM80 once I (finally) got the Pitch expansion card for it. One thing I've experimented a lot with on the PCM80 is LFO-shifting through a series of chords (since you can have up to 4 pitch shifters going at a time!)-this is what it sounds like:. The single-note volume swells you hear at the beginning, dry, is the only thing I'm doing on the guitar-the rest is all PCM80! I don't know if you're familiar with Italo de Angelis' work-if you're not, check out his Eventide Eclipse page: FX Soundworks - Eventide Eclipse I found that when I was still honeymooning with my Eclipse, which I still don't find enough time for.
It and the Fireworx are enough to keep me distracted for days just playing with the surface of the algorithms, which, well, I still have yet to fully appreciate all of them, let alone start modifying. One of the things I love about the Boss and the Digitech both is that they offer new customization control over old effects, making them new again. There is even a SLICER in the GT-001, with 20 patterns (vs the original pedal's 50), but all the new control options make it infinitely more complex than the original ever was.
Plus you can actually see the BPM! That was something that bothered me to no end on the original Slicer.
Thanks to D Kerrison for reporting this issue. • Updated the documentation on possible blocking in Read/Ex function. Declare serial mfc.